Kataloginhalt

» Gesamter Katalog (Lose 4001 - 4429)

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Los 4322

"Anthony Quinn" series. 1995/printed 2002. 4 gelatin silver prints. Each circa 29,5 x 38 cm. Each signed, titled, dated and editioned 3/6 by the photographer in pencil on the verso, each matted.

Some corners minimally bumped, a few indentation marks, a few light surface spots, one photo with minimal buckling, otherwise in very good condition.

Lit.: Martin Pudenz. Licht im Himmel. Fotografien. Heidelberg 2004, 2 ill. pp. 32-33.

Los 4323

Aerial view of Munich. 1960s. Vintage gelatin silver print. 29,5 x 24 cm. Photographer's stamp, archive stamp, as well as annotated in ballpoint pen on the verso.

A few light handling marks, otherwise in very good condition.

Los 4324

New York. 1974/printed 1975. 2 vintage ferrotyped gelatin silver prints on Agfa paper. Each circa 27,5 x 19 cm (38,5 x 29 cm). Each with photographer's stamp, dated and titled in pencil and archive stamp on the verso.

Traces of previous mounting on the verso, a few handling marks, one with paper loss in lower right, a few retouched spots, otherwise in very good condition.

Lit.: Karin Reinartz (ed.). Dirk Reinartz. New York 1974. Göttingen 2007, ill. front cover.

Los 4325

View in the cloister of St.-Annen, Lübeck . 1928. Vintage warm-toned gelatin silver print on chamois paper. 23 x 17,1 cm. Photographer's RENGER-FOTO D.W.B. stamp, Jede Reproduktion verboten stamp and Lüb 120 in pencil on the verso.

Minimal oxidation mirroring in edges, corners slightly bumped, otherwise a fine tonal print in near excellent condition.

Los 4326

Selected film stills from "Triumph des Willens". 1935. 18 vintage ferrotyped gelatin silver prints. Each circa 23 x 29 cm. Each with number in lower right, some with film text in lower edge in the negative. Some with number notations on the verso.

A rare group of film stills from the 1935 National Socialist propaganda film directed, produced, edited, and co-written by Leni Riefenstahl. It chronicles the 1934 NSDAP Congress in Nuremberg, which was attended by more than 700,000 participants. Riefenstahl's techniques such as moving cameras, aerial photography, the use of long focus lenses to create a distorted perspective, and the revolutionary approach to music and cinematography have earned "Triumph of the Will" recognition as one of the greatest propaganda films in history. Riefenstahl helped to stage the scenes, directing and rehearsing some of them up to fifty times. Riefenstahl won several awards, not only in Germany but also in the United States, France, Sweden and other countries. The scenes show many soldiers and other participants such as children and young people, Hitler giving his speech, other high ranking N.S. officials and various aerial views. – Some with minimal edge wear, otherwise in very good condition.

Los 4327

"Berlin Airlift, Tempelhof" and two other Berlin post WW II scenes. 1948/printed later. 3 gelatin silver prints on Agfa paper . 18 x 13 cm and 13 x 18 cm. Annotated in pencil on the verso.

Born in Germany Henry Ries went to America as a young man. He volunteered for service in WW II and served as an Army-Air Force photographer. After the war he was editor and chief photographer for OMGUS OBSERVER, an American weekly in Berlin and then as a European photojournalist for the New York Times and Time Magazine. He took the present famous image of the Berlin Airlift during that time. It was used for a U.S. postage stamp issued in 1998. – In very good condition.

Lit.: Katrin Peters-Klaphake/Dieter Vorsteher (eds.) Brennpunkt Berlin: Die Blockade 1948/49. Der Fotojournalist Henry Ries. Berlin 2008, ill. p. 98 (uncropped).

Los 4328

Hannelore Elsner, Munich. 1984/printed 2019. Gelatin silver print. 30,5 x 44,8 cm (40,4 x 50,3 cm). Signed, dated, titled and editioned 4/24 by the photographer in pencil on the verso.

The photojournalist Karin Rocholl has made many portraits of figures of the cultural scene. Her engaged relationship with the sitter has often enabled her to portray many otherwise elusive prominent people in a more natural and candid way. Much of her work has been published in Stern magazine. – A fine print in excellent condition.

Los 4329

Udo Lindenberg and Joseph Beuys in Bochum. 1982/printed 2012. Gelatin silver print. 22,5 x 33,7 cm (30,2 x 40,2 cm). Signed, copyrighted, dated, titled and editioned 12/24 by the photographer in pencil on the verso.

A few light pressure marks, otherwise in very good condition.

Lit.: Karin Rocholl. Prominente im Porträt. Der zweite Blick. Munich, ill. pp. 134-135.

Los 4330

Selected images. 1924-1932/printed 1987. 14 gelatin silver prints. Various sizes: 23,8 x 18 cm and 30,2 x 24 cm. Each with 2 photographer's/estate stamps in Russian and annotated in pencil on the verso. Griffelkunst edition.

The images include: Still-Life with Leica (1929); Electric Pylon (1929); Demonstration May 1, 1932; W. Stepanowa (1928); Female Student (1932); Back Courtyard (1932); Railway Bridge (1925); the Painter A. Schewtschenko (1924); High Jump (1937); Diver (1933); Stairs (1930); Columns of the Museum of Revolution (1926); W. Majakowski; W. Stepanaowa, O Beskin and Lila Brik (1928) and Radio Studio (1929). – Corners minimally bumped, otherwise in near excellent condition. With: Original illustrated text brochure (traces of use).

Lit.: Alexander Lavrentiev. Alexander Rodchenko. Photography 1924-1954. Cologne 1995, ill pp. 162, 206 and see pp. 181 and 228 for similar images of electric pylon and demonstration.

Los 4331

Dancers of the Gret Palucca School and Mary Wigman School, Dresden. 1920s - 1932. 5 vintage gelatin silver prints. Various sizes between circa 9,5 x 8,3 cm, 10,3 x 16,5 cm and 17,7 x 12,3 cm. 1 with Volwahsen's stamp on the verso, 1 with C. Rudolph's blindstamp in lower right.

This interesting collection of photos and manuscript pertaining to the Palucca School of Dance and the Mary Wigman School in Dresden belonged to the dancer seen on several of the images. Two images show a scene from the pantomime dance "Der Weg" choreographed by Mary Wigman,1932 and photographed by the sculptor Herbert Volwahsen. – One with crease in lower right, two slightly soiled, otherwise in very good condition. With: Typed manuscript Kleines Lexikon für das Ballett. A small dictionary of ballett terms. Palucca Schule, Dresden stamp on inside cover. 19 p.